- Advertisment -
HomeReview‘The Moon Is Upside Down’: Tallinn Review

‘The Moon Is Upside Down’: Tallinn Review

Dir/scr: Loren Taylor. New Zealand. 2023. 100mins

Three girls – a Russian mail-order bride, a jaded hospital anaesthetist hoping for a romantic weekend, a rich stay-at-home housewife with a newfound sense of objective – are all searching for significant connections with the broader world. And the lives of the three briefly intersect within the mountain nation simply outdoors Wellington, New Zealand, on this achieved, at occasions painfully acute comedy-drama from author, director and actress Loren Taylor.

 Completed, at occasions painfully acute comedy-drama

The movie, which gained the highest prize in Tallinn’s First Function Competitors, ought to function an auspicious calling card for Taylor, who co-wrote and starred in Taika Waititi’s Eagle Versus Shark and whose different performing credit embody Child Performed and Jane Campion’s High Of The Lake. The image, which is a wry and sharply-written examination of the hole between hopeful expectations and the chilly, arduous realities of life, ought to discover a heat reception at additional festivals and could possibly be of curiosity to distributors and streamers on the lookout for female-led storytelling.

- Advertisement -

Natalia (Victoria Haralabidou, bringing an unsure birdlike delicacy to the position) boards a airplane from Siberia to Wellington stuffed with optimism for her new life. Maybe the promise of job managing a cafeteria is a better draw than her impending marriage to Mac (Jemaine Clement), however Natalia is a pragmatist and causes that, if nothing else, he appears variety. However Mac meets her on the airport along with his completely aggrieved sister Hilary (Robyn Malcolm) in tow (“Aren’t you a stunner… in your individual means.”).

See also  ‘DEPOT - Reflecting Boijmans’: Review

And that’s solely the primary indication that every one shouldn’t be fairly what she had hoped for. The cafeteria is an outhouse full of used automotive tyres and despair. And Mac is supremely uncomfortable with the bodily facet of the connection. When Natalia asks whether or not he masturbates, he demurs and is dumbfounded when she says that she does. “Perhaps it’s a Euro factor,” he muses, stricken.

Frazzled from the calls for of her job, Briar (Taylor) offers the naked minimal of thought and energy to her long-distance Skype-based relationship with Tim (Robbie Magasiva), the ex-boyfriend of her sister. We see her distractedly shovelling down a pasta salad with one breast uncovered whereas, on her laptop computer display, Tim brings himself to climax. Taylor, it turns into more and more clear, has a knack for capturing the indignity and mortification of disappointing intercourse. When Tim means that he go to they usually spend a weekend tenting, Briar is initially nonplussed, however decides to roll with it. Her menstrual cycle, nevertheless, has different concepts. And the journey is plagued with surprising upsets, culminating in Briar hitting and injuring a chicken of prey. There’s a looming realisation that the chicken, and maybe the connection, could be higher off if she put it out of its distress.

See also  ‘We Have Never Been Modern’: Thessaloniki Review

Elsewhere, bored, lonely Religion (Elizabeth Hawthorne) jumps on the likelihood to test the brand new additions to her husband’s property portfolio, solely to find that considered one of them comprises the physique of a tenant who has lain lifeless for over a month. Religion feels a kinship with this solitary girl and takes it upon herself to oversee her funeral and to scatter her ashes.

Juggling three storylines is at all times going to be a problem and on this case, the thread that includes Briar and Tim feels a bit sidelined, with Natalia’s unfolding disaster of a wedding and the awful particulars of her adolescence taking priority. Jolly accordion-heavy people music on the rating emphasises the humour of the storytelling however the minor key melancholy builds because the movie performs out.

Manufacturing firms: Miss Conception Movies, Escapade Footage

Contact: New Zealand Movie Fee advertising and marketing@nzfilm.co.nz

Producers: Philippa Campbell, Georgina Conder

- Advertisement -

Cinematography: Adan Luxton

Modifying: Simon Value

Manufacturing design: Melissa Spicer

Music: David Lengthy

Major solid: Victoria Haralabidou, Elizabeth Hawthorne, Loren Taylor, Robbie Magasiva, Robyn Malcolm, Rachel Home, Jemaine Clement

- Advertisment -

‘Thunder’: Review

‘Damage’: Review

- Advertisment -


Please enter your comment!
Please enter your name here

- Advertisment -

Most read

- Advertisment -