Within the magical alternate realm of New Rome, the sensible Cesar (Adam Driver) has a full-on superpower: He can freeze time, identical to Zack Morris from Saved By the Bell. How did he get the flexibility to freeze time? How does it improve his skills as an architect attempting to design an ideal utopia referred to as Megalopolis? Author/director Francis Ford Coppola doesn’t trouble to clarify.
And the freezing-time factor is only one of a thousand random particulars included within the legendary director’s long-brewing ardour undertaking, a film he self-financed in order that he might movie it on his personal phrases. In doing so, Coppola has created the world’s most costly cautionary story on the subject of spending $120 million of 1’s personal cash so that you just don’t should hearken to studio notes, or anybody’s notes…
Oh god, if solely somebody had stated one thing about this mess, in some unspecified time in the future previous to the tip of manufacturing. If solely one thing might have been achieved. The script packs in a whole lot of Massive Concepts about philosophy and society and neighborhood, riffing on the decline of the Roman empire as a direct commentary on the present state of the world: Its allegorical nature thus seems like an excuse for the flat characterization — regardless of the very gifted ensemble who signed as much as work on this, not one of the characters really feel like recognizable people.
You possibly can solely say “It’s a fable! It’s not meant to replicate the world precisely!” so many instances earlier than these phrases, like so many different traces of dialogue spoken on this film, lose all that means. Take an early, comparatively innocuous scene the place two younger girls have a dialog, one which’s so awkwardly written that it screams “This was written by a grandfather who has no thought how the youngsters at this time discuss.” Relatively than acknowledge that potential weak point in his personal writing, although — and with out anybody being empowered to level it out — Coppola simply plows ahead.
Adam Driver’s at all times sport within the second, however Cesar is so inconsistently written that Driver largely performs him like a sleepwalker, a person so targeted on the Megalopolis undertaking that he can barely concentrate when one more girl throws herself at him. And whereas the character of Julia (Nathalie Emmanuel) has an actual arc, evolving from social gathering woman to the loyal lover of Cesar, the one side of her journey that doesn’t really feel like a regressive train in slut-shaming is that she additionally develops an curiosity in science, after having deserted medical college years in the past.
The film’s greatest qualities are all aesthetic ones: Milena Canonero’s wealthy costume design is extra profitable than the script on the subject of defining the personalities of those characters. You possibly can actually really feel the expertise concerned in designing sure places, like a large colosseum or Cesar’s workplace/workshop. And there are exceptional visible tableaus all through the film, with daring lighting and staging decisions that really really feel like they’ve been crafted by a filmmaker of exceptional imaginative and prescient.
All of those good qualities really feel overshadowed, although, by the movie’s worst decisions. Take the choice to forged Shia LeBeouf as Clodio, cousin to Cesar and a possible political rival. Coppola not too long ago instructed Rolling Stone that he intentionally forged “canceled” actors in order that the movie wouldn’t be “deemed some woke Hollywood manufacturing that’s merely lecturing viewers.”
However LeBeouf wasn’t “canceled” for his political opinions (as a lot as anybody may be stated to be canceled if, y’know, they’re enjoying a serious function in a high-profile film like this). LeBeouf stopped getting appearing work as a result of he damage girls. He admitted to it. The rationale that’s price mentioning right here is that there are quite a few scenes which highlight LeBeouf working amuck with the sort of anarchic power Coppola favorably compares to Dennis Hopper (one other cool dude who damage girls). Particularly, one in all Clodio’s favourite issues to do is… grope and harass girls. He does it quite a bit, over the course of the film. These scenes aren’t a lot enjoyable to observe.
Extra entertaining is Aubrey Plaza doing just about regardless of the hell she desires because the platinum blonde Wow Platinum, whether or not that be gnawing on the surroundings or flirting onerous with Jon Voight’s Hamilton Crassus III. (She apparently watched “a whole lot of Fox Information” to arrange for the function of a ruthless enterprise reporter.) By and huge, she’s appearing in a completely totally different film than anybody else, however actually that film appears much more attention-grabbing, albeit perhaps much more unhinged than this one.
To not say that Megalopolis isn’t unhinged by itself deserves: There’s a puzzling second, halfway by means of the movie, which makes an attempt to interrupt the fourth wall in a manner that befuddled Cannes audiences; it’ll be awkward but fascinating to see how that performs when the film enters large launch, or will get watched at house.
In the end, the best praise to be given to Megalopolis is that not like Kevin Costner’s personal self-financed 2024 opus Horizon — An American Saga, there will likely be no Megalopolis — A New Roman Saga: Chapter Two. Coppola has efficiently accomplished telling the story he wished to inform, solely on his personal phrases.
And it’s price noting that whereas the narrative by no means has a lot in the best way of actual momentum, it’s undoubtedly not boring. Actually, the insanity of Megalopolis is the sort of factor the place you truly do sort of should see it for your self. Particularly as a result of there are moments that really feel audacious in the best way that Coppola’s The Godfather shocked audiences again within the day, decisions that affirm this isn’t a filmmaker enjoying it protected. That’s an intuition to be admired. Even when it outcomes on this.
Megalopolis arrives in theaters on Friday, September twenty seventh.